After
Snap Plate a, 2004
Installation Evolution

I began work on this piece for my final show at
Vox Populi.

(a) The piece began as a number of delicate paths
suspended in space. I was considering metal leafed
surfaces.

(b) It became clear to me that I was interested in a
more expansive surface. I turned to my affection to
billboards. A large, free standing structure proved
wrong for the space.

(c) When I mounted the surfaces on the walls I came
dangerously close to presenting a large painting.

(d) I then transferred my shapes to a hovering,
horizontal piece. The final piece was Bridgehead 2.
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